The Jungle Scenes works evoke lush, vibrant visions of a pristine natural world. Painted in acrylic on canvas, these square-format pieces of 70 centimetres transport us to a realm where exuberant vegetation and a vibrant color palette blend into a single visual symphony. These works exude an explosion of life. Bold, bold brushstrokes delineate organic forms, suggesting the density of the jungle. Color plays a primary role, with deep greens intermingling with pops of brighter hues, perhaps exotic flowers or the plumage of hidden creatures. Light barely filters through the dense foliage, creating a sense of mystery and depth. The artist seems to want to capture not only the visual aspect of the jungle, but also its almost palpable, vital energy. There is a sense of total immersion, as if the viewer were physically within this teeming ecosystem. Both works, despite their individuality, share an approach that places originality at the center. The artist seems interested in surprising the viewer, then inviting them to investigate the methods and underlying creative processes. In this sense, his Jungle Scenes are not simple representations, but rather artistic interpretations that filter reality through the artist's sensitivity and unique vision. Central to the works are dark, nuanced figures, suggestive of primates, and silhouettes textured with primary colors, identifying predators (a leopard and a crocodile). The primates appear agitated and squawking at the presence of the predators. The predators appear exploratory and methodical in their innocent, daily pursuit of prey. Both primates and predators recount the struggle for survival, encapsulating the essence of roles in wild existence. There are significant details in Giorgio Binda's pictorial art: the dark forms of the primates belong to the artist's abstract repertoire. The multicolored silhouettes, representative of predators' coats in these works, are reminiscent of elements more closely related to contemporary art. Another noteworthy element is the primates' facial features, which echo predator textures but in black. This interesting stylistic detail suggests a visual connection between the two figures, the predator and its prey, stylistically similar despite their differences. This element contributes to achieving visual coherence within the composition, using a unified pictorial language.